COMPOSITION

Various applications of the word "structure" provide a basis for the selection of a special kind of relationship, and parts. Structure as a whole consists of regularly connected parts, which, unlike the random bits we call the components or elements of the whole.

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Structure is defined by a single character of the relations between the elements, a single law formation. character relationships are not prematching, because he defines the type of structure (functional structure, compositional structure, etc.)

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The structure does not necessarily represent the completed unit. The tree grows, branches, while maintaining the structure. The image can be extended, while remaining structurally the same. The elements of the structure, generally speaking, are subject to change. What is important is only the general nature of the relationships between them, the general "principle of form."

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In art criticism is sometimes called the components of the structure forms and means.For example, in music as a release components the overall structure of the product (general form) - the melody, but in this last - pitch motion and gravitation with their modal content of intonation. The melodic tissue then formed by the size and rhythm, interacts with the harmonic forms. The developing time integral Audio tissue can be subjected to a polyphonic structure, break up into separate "idea" and "periods", etc. All these components of the structure.

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It is the structure of the color in the painting as a means of painting, I spoke with regard to different types of pictures, using the expression "color system" and pointing to the same structural interde-
dependence of color and spatial solutions *. The overall structure of the color we find in different compositions.
The concept of "structure" in relation to a work of art is often associated the so-called "layering." They say that in the process of perception we penetrate into more and more deeply into the structure of the work. One layer structure serves as the basis for the perception of another. Indeed, tsroizvedenie-art multi-layer structure (from the sounds, colors - to ideas). However, the structure of the components are so interconnected that an equal right to be talking about their intertwining. 

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The spatial structure and plastic in painting and drawing are not possible without one another and work together. Colors and lines express feelings not only through the images of objects, actions, but in and of themselves. Without knowing the plot of the picture, we can see in colors that it joyful or gloomy. The plot may be in sharp contrast with the "sense" of color. And it has figurative meaning (eg, in caricature, in pictorial irony).

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Structural analysis of the phenomena of art is now sometimes defined as the analysis of sign systems. There is no doubt a work of art occupies an important place signs, attributes, attributes. But the analysis of the structure of a work of art is not limited to the analysis of sign systems, if not indefinitely extend the concept of "sign" 3.
In an effort to protect the structure analysis of the artistic image of the accusations of formalism, the structure of the image is sometimes defined as a process, confusing process of perception, with its gradually emerging in the consciousness of the result.Understand the structure of the image of all the arts as a development in time. Hardly such an understanding of the structure to avoid the reproach of psychologism. The image incorporated in the material reality of the work of its creator. The music - in the time series, the painting - in the spatial. The task of the perceiver is in getting the information laid down by the artist, and not in the accumulation of spontaneously occurring associations (noise, preventing the penetration of the artist's intent).
Now is ridiculous to argue that the scientific study of the form is not connected with the cult of form and formalistic tendencies in art. The form is enriched with an enrichment of the content. The best form of the one that hits the target.